Boluwatife Adesina

Midsommar is a many-splendoured—many-categoried—thing. Aesthetically, it’s sun-blanched, flower-child “daytime horror,” with a colour palette seemingly borrowed from a rainbow....

Guillermo del Toro joins the ranks of episodic genre anthology curators like Alfred Hitchcock and Rod Serling with his...

The worst mistake the third part of a superhero trilogy can make is thinking what we need is a...

By January next year, I will have been writing articles on this page for four years. In that time,...

You may find yourself watching Joker: Folie à Deux, wondering if its subtitle (which roughly translates as “a shared...

The ‘90s are back. From the first notes of the classic theme song, X-Men ‘97 transports its audience to...

When I think of the best performances in the horror genre in this century to date, I think of...

Depending on your perspective, the creation of Netflix’s six-part documentary series Mr McMahon could not have been better, or...

Speak No Evil is a meticulously crafted psychological thriller that marks the reunion of Mackenzie Davis (Terminator: Dark Fate,...

I no longer feel the imperative to see and review every animated feature that comes along, but Chris Sanders’...